Love from Tennessee

Darlings, I recorded a video for you yesterday but the wifi is not strong enough here for me to upload it. Hopefully in town next week I will get it to you.

I am in a lovely nest of people surrounded by mountains. I’m always amazed at the families that take in and envelop others so effortlessly. There are adopted children, adults, and animals; there is spontaneous dancing in the kitchen and singalongs after dinner; there are sweaty, dirty hours of work and rainy afternoons on the porch. I will be moving along soon to North Carolina to a smaller family homestead, where I can focus my learning on year-round gardening and permaculture, but I will miss this ranch. I am so glad to push off with many lessons and much love.

Last night, after singing my heart out with the 10 and 13 year old rock stars, their mom observed in a conversation about my former job, “you will be doing that work wherever you go.” It warmed me to hear someone else say it, remembering that there are some things I do not need to fear losing.

Gallery

rgbateman:

Nope: A Safe Space Zine

Trigger Warning: Assault, Rape, and Abuse are recurring themes in our arts communities.  The Portland Poetry Slam community came together in April 2014 to make this zine, defining, building, and protecting our safe spaces.  The original zine raised over $500 from supporters nation wide to pay for free distribution of copies.  Click the link to view and download the PDF.

Love this. Thank you, Robyn.

Quote

Young men need to be socialized in such a way that rape is as unthinkable to them as cannibalism.

Mary Pipher, Reviving Ophelia (via ohdreaming)

Important addendum: to also know what rape is. Too many of them understand “rape is bad” but see it in a disconnected, “stranger jumping from bushes” sort of way instead of the “close friend who oversteps boundaries because of entitlement issues”. That last bit? That, and everything that goes into it, needs to be defined as being unthinkable.

(via themindislimitless)

Trust This

When I was seventeen, I was on a cross country team for the first (and only, so far) time in my life. I am generally ambivalent about running when I am not being chased, but ended up finding my center in running the course that snaked through the Pennsylvania woods of my high school campus. In one of the last meets of the season, in the thick of the autumn of my senior year, I had an experience that still I don’t quite have a name for. The yellow-pink sky was dotted with Canada geese and I was looking out over the sports fields feeling very small and very big at the same time, and I knew that I would move to Oregon, and that it would be very hard, and that it was absolutely the right thing to do. And I was free of every feeling but a powerful sense of acceptance and wonder.

Ten months later, I arrived at a college campus just outside of Portland, Oregon. It has been almost exactly six years since then, and I have grown in directions I didn’t even know I could dream of at seventeen. I opened myself to deep fracturing and deep healing. I met people I love so deeply that sometimes all I can do is sit and cry and revel in them, even when they are right in front of me. I discovered I believe in many lifetimes, and felt such profound joy in recognizing and reconnecting with familiar souls in different forms. I brought back my slowly-opening self whenever I went back to Pennsylvania and slowly healed and strengthened my relationships there. I wrote songs that gain more meaning as I continue to play them. I joined and created space for the artistic communities that sustain me when I forget to honor the most human parts of me. I was enveloped in slam poetry and find more of myself and humanity in that art form with each performance. I found spiritual guides that watered me, taught me to grow, and will be with me forever. I found one in myself. I discovered the power of my own voice and used it to say no. I also used it to say yes. I cannot imagine the person I would be if I had not listened to something so true, if I had chosen to doubt or dismiss something I knew intuitively was the right thing for me.

I have never experienced anything like that afternoon on the cross-country field until this June, when I was walking through the largest urban park in the country. It is a few blocks away from my apartment in a corner of Portland I hadn’t been considering but ended up choosing because it felt right. Forest Park has ended up being a refuge for me for the past year, a sacred place of long walks and conversations with myself. On this evening, I felt I was withering. I had exhausted myself fighting for a relationship that was not nurturing me, pushed myself at a job where I felt constantly conflicted, and was missing the proximity of my family, who I have never been closer with. I breathed in the cool air of the trees and the creek, and felt very big and very small, alive in a way I had not been in a long time. I knew then that I was going back East, to explore life surrounded my more plants than people. I knew it would be very hard, and that it was absolutely the right thing to do.

I made a profile on the WWOOF (Worldwide Opportunities on Organic Farms) website, and within a couple of months I was finding so many communities that I was energized just reading about. A few weeks ago, I finalized plans with one of them in Tennessee, where I will be starting to work in late September. I am beyond excited to be part of a community that values open communication and to learn to care for plant life as well as human life. It isn’t something I ever planned on doing, and it is a risk in many ways, but there is nowhere I would rather be.

Also a few weeks ago, I got the word “trust” tattooed on my left wrist, “this” on my right. When I was getting them, I gritted my teeth and breathed deeply into the pain, reminding myself, this is the cost. There is no avoiding pain, and the wounds from living in truth and integrity heal far faster than the wounds of living in the cages we build. Each time I have left a place, I wound myself and people I love. I create an opening, a separation, a space that is filled over time with different forms of love. I call this process the come-and-go, and although it doesn’t stop me from hurting when I say goodbye, it allows me to let go with grace, having complete faith in our connectedness. When I look at the most painful experiences of my life, they have invariably come from times when I fought against what was happening, when I refused to accept that I was strong and capable of doing what I needed to do to exist, heal, grow. I did more damage by fearing pain than by accepting it. My wrists remind me to bring my power back to myself, believe in what has led me along so far.

I share this in hopes that it resonates, because my intuition is no better than that of anyone else. We all know what we need. We just occasionally fall out of the habit of listening. We must pay attention to the voices in us – including the immediate reactions we have to a person or situation and the unresolved pain we carry from pasts that continue to warp our perceptions – and trust the self that exists to hold all of those and understand the messages they carry, the self that is connected to a greater consciousness. Even our pain has a message for us – wounds are just openings, after all, another door to walk through if we choose. We are very small and very big. We can live in the flow of our lives or cling to fears that are solid and stagnant. I want to be a living reminder to myself and hopefully others that it is ok to live out of that place, to do what feels right and sometimes makes no sense, understanding why as you go along.

Thank you for doing me the honor of being present to my life, and for the privilege of letting me be present to yours. Let us keep continuing to say goodbye and hello and breathe into this come-and-go. Love.

Baby Photos

My love – we are too afraid.
I have a plan.
Drive me to your mother’s house
and hand me the photo album
“Ages 0-1.”

Place the collection of you
in my hands.

Let me flip through
the bouquet of moments
that weave a living portrait –

your purposeless motion;
the tides of emotional hues
always rushing over your face;
the simplest shapes,
the bluntest strokes;
the fresh, crisp blueprints
of the way you wrinkle in disgust,
in laughter;

the way you open
to let out the howl
that is the root of every sound
you will ever make,
the heart of your wanting.

You, before
your mind sharpened enough
to slice your world
into thing, other thing.
Safe, unsafe.
You, me.

Can you remember?
When you cried,
everything was crying.
When your mother’s lips brushed
your cobweb hair,
everything was love.

I will watch your present face,
looking for a ripple in the veil,
a stirring memory
of when you were so close
to infinite.
I will remember to love you there.

17

To the Mother Who Kept Her Headphones On While Her Daughter Played the Keyboard and Sang Me Songs She Made Up

You are watching Netflix in the basement
While Halley’s comet punctures the sky.
You are more present somehow
after you get up and leave for the cafeteria
after a few minutes, tossing a smile at me,
grateful that your child is entertained.
As if she is not capable, clearly,
of entertaining herself.

You are her reed-thin voice.
You are her shallow gasp,
her quickly withdrawn hand
when she plays the C
one too many times
in the last line of Twinkle Twinkle Little Star.
You are her blue darting eyes
that do not look up at mine once.

Before she began, she said,
“I’m really shy. I don’t sing in front of people.”
And then she sat still, silent
for 10 seconds.

I don’t want to know what is in your headphones,
what could possibly be more important
than your daughter’s slow breaths
before she starts to sing.
I don’t want to know what made you so impatient
that ten seconds is too long
to wait to hear her voice.

16

Work

She does not want music today. Her voice is the sound of a tire deflating so slowly, it is almost inaudible over the hum of the machine. The machines – they have surrounded her since her sophomore year of high school to what would be her sophomore year of college. I have not yet found a way to measure time outside of the normalcy of the healthy. I remember when she could not speak for weeks, wonder what it must have sounded like in that fog, if her heartbeat became the beeping, her breath became one mechanical exhale. Her arms were blades of grass, buckling and lurching as her hands tried to point at letters on the screen. We gave her some headphones, the new Alicia Keys album. We put the headphones over her ears. Eight months later, she can still smile when I walk in the door, still asks for Alicia, the older ones that are so good. She closes her eyes and sings, her head turning back and forth so slightly. I never bring her answers, just questions, lay them at the overflowing stacks at her feet like pebbles. They are too high to step over. I break mine into pieces to make them smaller. Do you want this. What would you like. Is this ok. If I Ain’t Got You never fails; it is the original moment we both fell in love with that fierce voice, that insistent spirit. It is high school. It is whatever happens outside of high school. It is a moment we can meet in for a few minutes, over the beeps and hums and the door opening and shutting. They have so many questions for her. I only have a couple, and the first is, do you want this. Today, she does not want music. I walk back down the hall. The guitar is too heavy in my hand. I do not have a plan after Alicia, after the headphones, the ukulele I brought her one week, which she practiced until the days weren’t as good. Today her eyes are closed, but her head does not sway back and forth. Today, she does not want music, or more questions, and that is all I am to her, and I walk back down the hall.

14

Reasons She is Crying Pt 2

Words like gentle.

Conversations about people
that are so busy trying
to feed their own needs
they cannot see anyone else’s;
the moment he says,
“it’s like the opposite of you.”

A rose on the Valentine’s day
after her breakup.

Moments that flutter out of earshot
like a pause between words,
ordinary and honest,
the most beautiful combination
of intention and accident,

the casual ways
in which she is seen.

12

Winter in the New City

She writes about a city
the way she wants to write about the boy.
She writes “heart” so many times
its ache is implicit
in her descriptions of the brutality
of East Coast winter,
the skyline drawn crooked
by a shaky hand.

He moved a week after she got there
to the opposite coast.
She writes exclamation points,
questions marks,
about their phone conversation.
She says, he is telling me
it sucks that you feel lost.
That he is spending a lot of time
with another girl,
that he wants me to move on,
be happy.

He is not telling me
how to be outgoing in this new place.
He is not telling me how he feels
about us.
He is not telling me how to survive.

How badly we want the person
who led us into this new place
to lead us back out.
How shocked we are
when they leave us there,
alone, cold,
driving the wrong way
through one-way streets.

She says, I know
we could figure this out,
these feelings.
There is something
worth waiting for.
She says,
I have never been so ready
for spring.