9/30

How to Love Your Art

Clear out a room in your house.
Wipe the windows (there must be
several), paint the walls
a color with a poetic name,
chartreuse or amaranth,
something alive.
Take your art into it, say,
“here you are.
I made this for you.”

It may take some time,
but watch how it transforms
the space, what strange plants
begin to grow from the floorboards,
the writing the sun etches
upon the walls. Your art
is a prism. The light
bends, becomes
something different, liquid.
It is like a room full of water.

Do not be alarmed
when it begins to creep
under the door. Let it spread
like a beautiful fungus.
Notice a luminscent inkblot stain
on the kitchen ceiling.
Let it take over your house.
Let it into your lungs like dust,
drink it from the banisters
to quench the thirst it creates.

Do not be afraid
when people notice a change.
Smile. Breathe in their discomfort
with the stories you are transforming
within you, staining them new colors.
Be true. Remember the room,
hold the word shelter
in your heartpocket. Smile
from your overgrown home.
Let each action you make speak –
“here you are.
I made this for you.”

8/30

Little frightened bodhisattva

quaking on its fragile threads

of “poor me, poor,

poor me”, tucking its chin

against the wind –

.

small sunburst –

darling magic gumdrop –

you are many more colors

than this. Un-bow your head.

Spin stronger stuff,

a way out without one back.

7/30

So for once in my life, let me get what I want –

Lord knows, it would be the first time.

 .

Dear Morrissey,

 .

Sometimes there is a thunderstorm in my head and I am buffeted by descending clusters of fuck-you rain and my body twists tragically

 .

into a tangle of helpless and sad, and I am swept like crumpled trash into concrete walls of the city until there is a door

 .

that swings open when I fall sideways through it, and it is a bar in London and not a hip one, just trapped smoke and stale sweat and beer,

 .

and your voice cuts through the grime like hot wax. It curls warmly around me and I sit at the bar and fall into your melancholy,

 .

damp and shivering lustily. You have a combination of charm and self-pity so potently desirable, every musician since is just pretending,

 .

myself included. You make me want to write half-seduction-half-angst poetry on bathroom stalls in lipstick. You make me

 .

want to throw peanuts at your stupid brooding face and laugh. You make me want to sneak into your bed, where we’ll wipe each others’ eyes

.

until we’ve convinced ourselves we have made love. I will laugh about it later. The thought makes me smile. You notice

 .

and try to croon your beautiful eyes to me, and I tell the bartender I am closing out. I would tell you that I hope you get what you want,

.

but, (and here is the difference between us), I think this is it. I sing the chorus ironically on my way out while you watch me leave.

 .

Half sincerely,

Anna

6/30

I am naming the neighborhood cats after my demons.

Compulsive Guilt tracks my path with light green gaze,

refusing to leave its patio post, a steady sentinel.

Don’t Leave Me has a crooked knob of a tail

and a strangled greeting when I stop

to scratch behind its silver ears. I once sat

in the middle of the sidewalk square

with Self-Chosen Melancholy in my lap,

watching the cars disturb the peaceful street

for at least half an hour. They are soft, aloof,

prim. They ask me rhetorical questions before

losing interest. They rub their bellies against

my calves. They do not follow me home.

5/30

There is a strange synchronicity in the wounds from breakups.

In grieving the absence of your shoulders, I miss his flannel.

I write a song and don’t know who it’s about,

only that it is true.

The emptiness in my belly whispers secrets

to the knot in my throat, its best friend.

Each tiny sadness awakens another,

a chorus of estuaries just under the skin,

flooding in unison.

.

Solitude is a room full of the going and gone.

All music comes from emptiness and resonance.

Tonight there are no names or memories,

just the harmonies of discord.

I lie still and let the wind sing through every hole in me.

4/30

To the Father Who Told Us No, His Daughter Is “A Healthy Kid”

.

I don’t blame you for being scared of us.

I am sorry that Cancer is written on our clothes,

our big purple cart, our ukuleles.

As you speak, I imagine you walking these halls

with your gaze magneted to the carpet,

trying not to see the other families

in rooms like yours.

As if you could carry the images of nose tubes

and round, smooth heads

like bacteria stuck to your sleeve,

back into the room where your daughter breathes.

She has a cast on her arm, black corkscrew curls,

the brightness of a future in her eyes.

We are a reminder of every parent’s nightmare,

the sentinels of the sick and sad.

To you, we do not belong here.

.

I want to tell you it’s ok.

I imagine how the world must have halted

to see her blood burst from her –

so brash, a shock of violent fragility.

How tightly fear must have cocooned your lungs.

.

But to you, our songs,

our smiles, are poisoned –

because we share them every day

with families who live for months, years,

within those seconds that stopped your heart.

I wonder if you realize the power

of your connection to others

who have felt death sitting at their child’s bedside,

the horror of each held-breath moment.

.

I want to tell you,

though (because)

you don’t want to hear,

that these children are iron-hearted. Their parents,

the humblest saints.

I want to tell you

that before all this,

they were healthy kids, too.

3/30

You are not what they told me you’d be.

The name they gave you

fits like a funeral around a sunshower,

a feeble attempt at containment.

Widow is a word with stooped shoulders,

a conch shell spine,

a grey husk of waiting.

 .

You are a million moments of sunlit water

reborn as comets.

Your limbs are rivers.

You grow colors in the backyard

and spill them like secrets in conversation

with stories of a man so bright

I feel his sun on my face.

 .

There is no word for what you are,

and certainly not one that is born from death.

I want to cry when you dance at my shows,

as if I am singing cherry blossoms awake.

 .

When you called me

“one of the beautiful reasons I was left behind”

– only then, I saw a shadow,

a brief glimpse into the canyon

those years carved in you,

savage and slow,

A memory of smallness tucked inside.

.

I wonder

at how gently it holds me.

 

2/30

Lies (Prompt)

I’m fine. I’m just tired.

Don’t be nervous. You’ll be ok.

You have to be more patient.

Smug smiles of quarters

gleaming beneath my pillow in the morning.

No, you can’t help. Go to bed.

Sunday morning let us pray.

Head back, asking forgiveness from the rafters.

Everything is fine. Don’t worry.

I’m just tired.

There’s nothing to be scared of.

 .

Parents don’t lie

exactly. I have always found

shreds of my beliefs

in the untruths sewn into my neural pathways.

I hear them in my own voice,

even the one I only use

in the nakedness of lovers

or poetry.

 .

It’s fine.

I’m just tired.

No, I’ve got this.

All the ways I have worshipped at temples

in whose gods I never believed.

I believe you.

My mouth wanting you in ways

my heart had fleeting dreams about.

Sometimes, they reversed.

Words like want, forever, trust,

(do I say it?) love.

Don’t be scared.

You’re ok. You’re ok. You’re ok.

 .

Listen – I don’t know what to call

the things I’ve told you.

I do not lie, I do not truth

exactly. I poem exactly.

I touch exactly. I pray exactly.

I will never know which pieces of me

you believe.

 .

It’s fine.

You’ll be ok.

I trust you.

Don’t worry.

.

Forgive me.

1/30

Eyes shut like garage doors

I imagine very hard what it’s like to be metal

or concrete, hardened,

the water in me

vanished, taking with it

everything soft.

Nothing leaves an impression

when it touches me.

The thinness of skin

is a memory.

Closeness once felt blurry.

The dangerous, yet inviting

intimacy of molecules

unchaining, retangling. Now,

it is friction. A mild irritation

of chalk unbecoming itself

into my roughness.

Each touch becomes a trail

of white dust,

my surface washed clean

with every new rain.

shaking the dust off the poeming hands

What Matters (prompt)

.
Some people. Everyone. No one.

I cannot choose just one without abandoning the rest.

Like when I was seven and prayed every night,

blowing a kiss to every dead person and animal I knew.

A great-uncle I could barely remember. My grandparents’ housekeeper.

A hermit crab. I could not let even one fall into the canyon

of forgetting. Eleven kisses every night,

before I stopped praying in 7th grade.

.

7th grade. My first journal. My letters to nobody,

to you. You, from obsession to long-distance lover

to ex to lover to long-distance lover to ex to nobody.

I cannot count all of the people you have been.

It has been four years of nobody. I am terrified

of when you will have been nobody for longer

than you were anything else. Letters to myself,

myself, present, future. They are in a drawer

in my room in Pennsylvania. Every year

I read one written by the self two years younger.

I haven’t stopped writing your name.

.

Memory, but maybe not. I know these stories change

every time we cast our nets in the oceans within us.

They gasp like fish as we break the surface with them,

their colors fading before our eyes.

It is a futile science, taking those moments

out of their homes within us, scrutinizing them

as they wriggle and change in our desperate hands.

No wonder the ocean paralyzes us with resonance,

as if we are seeing in its depths everyone

we loved enough to name. Memory as a circle,

as I blow your house a kiss when I drive by.

Right now, this matters.